“I’m going downtown to Mitch and Murray!”  We need to make that more than a great line from Alec Baldwin.

indexMitch and Murray Productions has had a great response to our two plays this year.  Unbelievable reviews for “BECKY SHAW”, which closed last weekend, and equally stellar response so far for “LUNGS”, which closes this Saturday December 14th.

Despite this great run, we’re still shy of reaching our budget for this year’s festival.  We need a boost in attendance in our final week and we call on you, our friends and supporters to help us finish up strong!  Five more performances of “Lungs” this week at the Havana – HELP US PACK THE HOUSE!

LUNGS plays Tuesday Dec 10th – Saturday Dec 14th, 8pm at Havana, 1212 Commercial Drive in Vancouver.  2 for 1 Tuesday Dec 10th – 2 tix for just $20!  BUY TICKETS HERE!

Stephanie Izsak and Kayvon Kelly in Lungs

Stephanie Izsak and Kayvon Kelly in Lungs

“LUNGS” is a great play about Gen Y’s struggling with financial and social modernity while deciding to have a child.  It is modern, fresh, funny and heartbreaking and anyone under 40 will completely relate.  Check the reviews and bring some friends out to the show!  Tix at

“Gen Y’s stumbling towards adulthood…Lungs is smart and often very funny.  Both actors are relentlessly, fearlessly present.” (The Georgia Straight) READ MORE REVIEWS


You can find us on Facebook and Twitter – please help us spread the word about our final week #Lungs @mitchplusmurray
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Meghan Gardiner and Aaron Craven in Becky Shaw


We just wrapped up the first show of the festival, “BECKY SHAW”. Audience members consistently remarked that we are “building something great here” – a core of Vancouver-based artists producing modern, funny, provocative and cutting edge stories to an audience base thirsty for that type of entertainment.  Remember our productions of “Fat Pig”, “Fifty Words” and “Race”?Screen shot 2013-12-09 at 3.17.51 PM

We’re also doing an early bird ticket drive for next year’s show, which is TBA next fall.  Your early support helps us meet our budget for this year and allows us to secure venues and plays for 2014.   We’re doing a one week sale on early bird subscriptions ending December 17th – what a great Xmas gift!   All early bird purchasers will be entered to win $75 of Mission Hill Reserve Pinot Blanc wine from our sponsors.  GET YOUR EARLY BIRD TICKETS HERE!


Thank you for your support, we couldn’t do it without you!


Aaron Craven – Artistic Director, Mitch and Murray Productions

Coffee is For Closers


My production company is called Mitch and Murray Productions, an homage to two characters in David Mamet’s finest work, characters who are often spoken about but are never seen. Company emails from us come up in a person’s inbox as “Mitch and Murray Productions” or at least “Mitch and Murray” if the length allows.

I realize the film/play has a cult following and the names Mitch and Murray aren’t household names like Chloe and Kim. So, I always include my name in the body of emails when sending from that address – “Hey, this is Aaron Craven…” or “Sincerely, Aaron Craven..” etc. I especially do this when I’m a stranger to the recipient.

I wish I had a nickel for every reply that came back with “Hey Mitch” or “Hi Murray”. Usually the email ends with “sent from my iPhone” or “sent from my iPad”. Which means that person is likely replying to me from the lineup at a coffee shop. Or from their toilet. Or while crossing a crosswalk.

The little civilities are getting missed these days. Don’t you think?

Maybe from now on I should just reply back to these emails with a video clip of Alec Baldwin’s GlenGarry GlenRoss speech, and nothing else in the body of the email.

Of course, irony tends to be missed when you’re about to get hit by a bus…

Great New Theatre in Vancouver


Check out the new trailer for our 2013 Theatre Festival, featuring the Vancouver premieres of the plays “Lungs” and “Becky Shaw”. Great new theatre from Mitch and Murray Productions, the company that brought you last year’s hit production of David Mamet’s “Race”.

Opening November 21st – Get more info and book your tickets today through !

Lance Armstrong Takes it in the Ball(s).


As an actor commuting constantly between Vancouver and LA, I live in a world of creativity and leftist politics.  It suits my belief system just fine, as I’m pretty much a big bleeding heart liberal in every department.

Ironically, I’m also a straight white male with some vestige of old school “stiff upper lip”,  which means I tend to follow the unspoken rule that for me to complain about anything is verboten.  As Louis CK says about white people, “we’re gonna pay hard for this shit”.  Double down on those odds if you’re a guy and grab a cup.  We’ve raped and pillaged our way into this corner and it’s time to take it in the balls, right?

This passive acceptance of our lot makes us acceptable targets for any and all potshots.  We’re sort of like those guys on Japanese game shows who get blasted in the nuts by a mechanical fly swatter if they get the wrong answer.   Or the endless parade of emasculated and ineffectual dudes in commercials and pop culture.

And who easier a target these days than Lance Armstrong?  Granted, a harder target to hit as you only have one testicle to aim for, but what a prize turkey for all the trolls who sit back and fire away.  Forget about the cancer money, he’s the 1%, he’s a man, he’s defiant, he’s a liar. Get him.

None more eagerly piling on than my hometown liberal rag, The Georgia Straight, whose only article close to centre politics is the sports section and who published the above front page this week.

“Male ego and lust for power”?  Can you imagine an issue of the Straight with Tonya Harding on the cover labelled “Feminine Stories” with a title like “Tales of female violence and emotional manipulation“?  Or a cover featuring Ann Coulter, Paula Deen, or any number of awful women, tying these women into “femininity” stereotypes of the negative order? Or linking women who drown their children into some sort of feminine dysfunction?  Wouldn’t happen.

But so called traditional masculinity?  Have at it, it’s great copy and fodder.  If the dude’s white?  Home run and risk-free.  Male or female journalists will run with it, whatever puts bread on the table.

How tacky of the Straight and how predictable for a paper stuck in the Pacific Northwest bubble of small town hippie-think.  It reminds me of my days at the University of British Columbia, listening to ivory tower militant nuttiness and my 19 year old brain thinking I was a pig, a racist, a chauvinist and an evil patriarch in waiting, simply by birthright.

men are pigs

I continue to be a bleeding heart liberal.  And an actor/activist.  And a producer of plays which address race, gender, prejudice and the modern world, through a lens of realism and balanced thought.(Shameless plug – come see “Becky Shaw” in Vancouver this November – great female playwright, great female characters.)

Maybe these attachments of mine sound paradoxical given the writing of this blog.  That’s because the world is grey, as it should be.

Perhaps a new generation will think on how our own runaway consumerism has eaten us alive, not just the greed of a few evil men.  Maybe all of us should be on the cover of a paper for wearing yoga outfits made in the third world.   Maybe one day a cover like this week’s Straight will strike everyone as gauche and outdated.  Or maybe it’s me who’s gauche and outdated.

Fire away.  I’m wearing a jock.

Living in the Moment with Your Smartphone

Dallas Green was absolutely killing it.  The City and Colour bandleader with the magical voice was laying out one great ballad after another under a darkening Vancouver sky on a beautiful summer’s night.








The music was top shelf, but took second place to Green’s stage presence and relaxed connectivity to the audience.  Twice during his set, he stopped his songs cold to improvise around unplanned activity in the audience.  Once for a wedding proposal taking place in the crowd mid song and once for a drunk/high guy who rushed the stage.  He congratulated the newly engaged couple with gracious deference and admonished the stage rusher with a great line: “I’m not mad, just disappointed. I was trying to make this song about us, but you went and made it about YOU.”

How could anybody not love this guy?

So how could you not buy into his crowning moment of the night?  Before launching into one of his acoustic finales during the encore, he walked to the front of the stage and made a request, gently and sincerely…

“Those of you out there with smart phones, hold ‘em up.  Now for just one song only, take them and put them in your back pocket.  Let’s just all be together for one song and just live in a moment that isn’t tweeted or youtube’d.  Let’s remember that sometimes it’s ok just to have a memory.  Let’s be in this moment together.”

What a moment.  What a statement.

The smartphones went down.  The bic lighters came out.  The dying sun cast one glimmer over the amphitheatre as that majestic voice started to ring out across the audience.

All at once, it was a beautiful elevated moment and yet tinged with life’s reality and almost a comical irony.  God, we human beings fall tantalizingly short of absolute perfection.

About 100 people still held up their camera phones.







After such graciousness and artistry, and at such a perfect opportunity to buy in to a communal moment, how much of a narcissistic entitled douche do you have to be to still hold up your little screen in defiance?

I’ve written about the smartphone/live performance issue previously and I don’t think there’s anything new I have to say on the matter.

Like Dallas Green, I’m just disappointed.

I’d love to hear thoughts on this. I can’t seem to resolve my own.

Why I Produce Theatre

I love actors.

As a kid growing up in the eighties, my favorite Harrison Ford movie was not “Raiders of the Lost Ark”.  It was “Witness”, a drama about a big city cop hiding a murder witness in a rural Amish community.

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The special effects and spectacle of “Raiders” didn’t captivate me nearly as much as the simple, beautifully drawn performances in “Witness”.  Long before acting became my profession, the craft held a powerful mystique for me, the audience member.  This connection between performer and audience continues to be the motivating force in my career.

I’ve worked with hundreds of actors through the years as a director, coach and fellow actor.   I’ve endeavored to mentor and help many young actors gain a foothold in the business and I continue to be humbled by the bravery and vulnerability that actors cultivate in themselves.  Many non-actors look at the profession as a narcissistic plea for attention against overwhelming waves of rejection.  In truth, this breed of actor usually quits the profession by their thirties and the remaining few of this kind are the jaded, bitter veterans.  We actors treat them like the drunk uncle at Thanksgiving – just let him mutter his stories, he’ll tire himself out and fall asleep.


The “real” actors, the steadfast pros, are those committed to the process of storytelling. Those, who, despite all obstacles, hold a candle for the timeless act of connecting with an audience and impacting them.  That is what fuels our pursuit of the craft, and to my fellow “lifers”, you are the most charming souls I’ve come to know.

This love of craft has fueled me to create a theatre company in my hometown of Vancouver.  Like many artists, I’ve spent time in other markets for career reasons but Vancouver will always be home to me.  In the past, I’ve started some heated dialogue about the city’s arts and entertainment culture, but I’m in a different phase now, one of positive resolve.  Wallowing in cynicism about a Liberal party victory, the BC Film industry, or Vancouver’s cultural shortcomings is something I refuse to do.  I don’t want to be a drunk uncle.

Mitch and Murray Productions, a five time Jessie nominee, was built as a haven for artists and audiences alike.  Our provocative new dramas from the world stage give actors and theatregoers a chance to connect with material that otherwise would likely not play this town.  Labute’s “Fat Pig”, Weller’s “Fifty Words” and Mamet’s “Race” (our previous shows) are hard hitting, bitingly funny dramas that offer actors the Mount Everest of professional challenges while giving audiences the type of delightful, complex character dramas that cable television has so successfully captured audiences with.


Our two play festival this November features two new plays that speak to a young audience of today.  “Becky Shaw” by Gina Gionfriddo features an unlikely romantic pairing of Max, a cynical, pragmatic money manager and Becky, a sensitive, highly educated thirty something who struggles to pay her bills in a time of recession.  Sound familiar?

“Lungs” by Duncan Macmillan features a young couple struggling with the decision to have a child against the backdrop of their political indecision and unfulfilled dreams.  It’s the type of theatre that will cultivate a new generation of young audiences by speaking directly to their present day issues.


As the foundation of producing our shows, we run an early bird ticket campaign every year, offering audiences the chance to buy tickets in advance and providing us the initial funding to get our shows off the ground.  For our last two shows, we successfully raised our needed funds of $3000 in early bird tickets.

This year, with May 30th as our deadline, we’re $2000 short of that needed start up cash.  Against my desire to always project positivity and a professional image, I must tell you:  If we don’t meet our mark by May 30th, we’ll have to pull the plug.


There comes a time, after an initial building phase, when you have to let your work speak for itself and hope the audience responds.  Producing these works is a year round labor of love driven by the desire to tell new stories, in this young city, through the oldest of arts, the theatre.


Whether you’re an actor, crew member or audience member, we’re building this for you.  The plays are months away but we need your ticket purchase now.  Will you join us in taking the next step?

We look forward to your response.

Thank you,
Aaron Craven – Mitch and Murray Productions